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From: "Dan'l Danehy-Oakes" <ddanehy@siebel.com> Subject: (whorl) What Happened? (re: "It's Mostly the Ending") Date: Wed, 11 Apr 2001 08:27:41 Viz writes, viz: > There are two major areas where the book as a whole lets us down > on, and we've beaten them both to death, but I'll say again: > > a) we get the huge buildup on the secret of the inhumi, and it > turns out the secret doesn't meet the expectations that the > narrative builds up for it. We were expecting something more than > we guessed in the first volume, but that was it. > > b) the fact that the narrator is Horn in Silk's body has been > obvious since the first volume, so the climactic revelation that > the narrator is Horn in Silk's body falls flat. Some thoughts on this... 1. Mr Wolfe has been (dis?)informed over and again by reviewers both friendly and un that his texts are just too difficult for an sf audience; that nobody can reasonably eke out his intent from the cryptons and gnomions he sparses out purloinedlettrishily, and perhaps in response he has _underestimated_ his audience this go, transparing the solutions so only a Piers Anthony fan could miss them. 2. Contrariwise perhaps this is a case of "Who killed the Comedian?" -- for non-Watchmen-readers, that would be a special kind of red herring, where the writer putts puzzles with clear solutions in plain sight so as to obscure the real puzzles. If so, Mr Wolfe's use of the technique is different from Mr Moore's: those who, like me, participated in the excited discussion of each issue of WATCHMEN as it came out will recall that, long before the conclusion, we realized the ethical and philosophical questions the story raised were far more interesting than the murder mystery (which, however, contributed its share to those questions); here, the readers are caught up in the red herrings and unwilling to recognize them as such. Which is a shame. We've had some small discussion of what these novels are really about -- the nature of identity; the application or applicability of Christian soteriology to a people that have no chance of knowing (by natural knowledge) the Gospel; the possibility of salvation for "demons"; what Charles Williams called the "Web of Exchange"; etc., etc., etc. -- questions, btw, to which the questions of "who is the Narrator?" and "What is the Secret?" are quite relevant, but in an almost reversible manner; understand identity and know who the Narrator is, understand the Web of Exchange and know the Secret of the Inhumi. Granted these are more difficult to grapple with, especially after a single reading; granted, they don't appear at the raw plot/surface level the way the Comedian-problems do; granted, it will take years rather than weeks to tease them out of the texts at hand... still, aren't these really more interesting questions? --Dan'l *This is WHORL, for discussion of Gene Wolfe's Book of the Long Sun. *More Wolfe info & archive of this list at http://www.moonmilk.com/whorl/ *To leave the list, send "unsubscribe" to whorl-request@lists.best.com *If it's Wolfe but not Long Sun, please use the URTH list: urth@lists.best.com